{"id":2769,"date":"2022-03-15T00:05:11","date_gmt":"2022-03-14T23:05:11","guid":{"rendered":"https:\/\/ijamact.com\/?p=2769"},"modified":"2022-03-15T00:16:00","modified_gmt":"2022-03-14T23:16:00","slug":"films-de-kungfu-comme-catalyseur-des-echanges-culturels-entre-la-chine-et-lafrique_cas-du-cameroun-jia11056076","status":"publish","type":"post","link":"https:\/\/ijamact.com\/index.php\/2022\/03\/15\/films-de-kungfu-comme-catalyseur-des-echanges-culturels-entre-la-chine-et-lafrique_cas-du-cameroun-jia11056076\/","title":{"rendered":"FILMS DE KUNGFU COMME CATALYSEUR DES \u00c9CHANGES CULTURELS ENTRE LA CHINE ET L\u2019AFRIQUE_CAS DU CAMEROUN (JIA11056076)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"2769\" class=\"elementor elementor-2769\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a3507d2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a3507d2\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-504e2c0\" data-id=\"504e2c0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3c19e16 elementor-widget elementor-widget-text-editor\" data-id=\"3c19e16\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>FILMS DE KUNGFU COMME CATALYSEUR DES \u00c9CHANGES CULTURELS ENTRE LA CHINE ET L\u2019AFRIQUE : CAS DU CAMEROUN<\/strong><\/p>\n<p><em><strong>Taling Tene Rodrigue*<\/strong><\/em><\/p>\n<p>Universit\u00e9 Normale du Zhejiang, Chine.<\/p>\n<p><\/p>\n<p><strong>R\u00c9SUM\u00c9 : <\/strong>Cet article met en avant l&rsquo;int\u00e9r\u00eat de la jeunesse africaine pour les films de kungfu, met en lumi\u00e8re le r\u00f4le moteur et les comp\u00e9tences communicatives interculturelles des films de Kungfu chinois dans le renforcement des \u00e9changes culturels et la dynamisation de la coop\u00e9ration cin\u00e9matographique sino-africaine. Le contenu de cet article s&rsquo;appuie sur les recherches ant\u00e9rieures de l&rsquo;auteur et les enqu\u00eates men\u00e9es aupr\u00e8s de 197 Camerounais r\u00e9sidents et amateurs de cin\u00e9ma dans les villes de Douala, Yaound\u00e9 et Bafoussam. Mais aussi, sur des revues et articles scientifiques ainsi que des rapports officiels dont la plupart sont disponibles en ligne. Le Cameroun est pris comme cas d\u2019\u00e9tude. L&rsquo;article sugg\u00e8re le concept de \u00ab&nbsp;films de kungfu sino-africains&nbsp;\u00bb comme nouvelle approche pour la coop\u00e9ration cin\u00e9matographique sino-africaine. A savoir, adapter les films de Kungfu dans le contexte culturel sino-africain en associant certains styles d&rsquo;arts martiaux africains tel que la lutte traditionnelle, les danses de guerre et bien d\u2019autres styles martiaux Africains aux styles d&rsquo;arts martiaux chinois, et ainsi proposer un complexe nouveau de films d&rsquo;actions sino-africains qui beneficira de l\u2019avance technologique chinoise pour se positioner au devant du cinema mondial et dans lequel Africains et Chinois travailleront ensemble pour la prosp\u00e9rit\u00e9 commune de leurs cultures.<\/p>\n<p><\/p>\n<p><strong>MOTS CL\u00c9S&nbsp;: <\/strong>Films de Kungfu, \u00c9changes culturels Chine-Afrique, Films de Kungfu sino-africains, Cameroun<\/p>\n<p><strong>Date de publication : <\/strong>15 Mars 2022<\/p>\n<p><strong>Identifiant IJAMACT <\/strong>: JIA11056076<\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 4.0pt;\"><b><i><u><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR;\">\u00c0 Propos de<br>l\u2019Auteur<\/span><\/u><\/i><\/b><b><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR;\">&nbsp;:<\/span><\/i><\/b><\/p>\n<p class=\"MsoNormal\" style=\"margin-bottom: 4.0pt;\"><b><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR;\">*TALING TENE RODRIGUE : <\/span><\/i><\/b><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">Camerounais, titulaire d\u2019un PhD. Chercheur \u00e0 l&rsquo;Institut d&rsquo;\u00c9tudes Africaines, vice-directeur du Centre d&rsquo;\u00c9tudes Francophones, Secr\u00e9taire G\u00e9n\u00e9ral du Centre pour le Cin\u00e9ma et la T\u00e9l\u00e9vision Africains de l&rsquo;Universit\u00e9 Normale du Zhejiang, Chine. <\/span><\/i><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR; mso-bidi-font-weight: bold;\">Le <\/span><\/i><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">principal <\/span><\/i><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR; mso-bidi-font-weight: bold;\">domaine de <\/span><\/i><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">recherche de l&rsquo;auteur est la communication interculturelle des Arts martiaux Chinois et des films de Kung-Fu en Afrique et la renaissance des<br>cultures d&rsquo;arts martiaux traditionnels africains dans le contexte des \u00e9changes<br>culturels sino-africains. L&rsquo;auteur est fondateur du Centre Culturel et Linguistique<br>Chino-Camerounais (<\/span><\/i><span lang=\"fr\"><a href=\"http:\/\/www.c2lc2.com\/\"><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">www.c2lc2.com<\/span><\/i><\/a><\/span><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">) et a publi\u00e9 divers articles dans des revues chinoises et internationales.<\/span><\/i><\/p>\n<p><\/p>\n<p class=\"Style1\" style=\"text-indent: 0cm; mso-char-indent-count: 0;\"><b><i><u><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR;\">Contacts<\/span><\/u><\/i><\/b><b><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-ansi-language: FR;\"> :<\/span><\/i><\/b><i> <\/i><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif;\">Universit\u00e9 normale du Zhejiang, n\u00b0 688, avenue Yingbin , Jinhua, Zhejiang, Chine, code<br>postal : 321004. Courriel : <\/span><\/i><span lang=\"fr\"><a href=\"mailto:rodriguetaling@outlook.com\"><i><span style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">rodriguetaling@outlook.com<\/span><\/i><\/a><\/span><span class=\"MsoHyperlink\"><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\">; drtaling@gmail.com&nbsp;;<\/span><\/i><\/span><i><\/i><\/p>\n<p class=\"Style1\" style=\"text-indent: 0cm; mso-char-indent-count: 0;\"><span class=\"MsoHyperlink\"><span style=\"color: #3c434a; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: 16px; text-align: center; background-color: #eae6f9;\"><p style=\"padding-left:10px;\">File Name: FILMS-DE-KUNGFU-COMME-CATALYSEUR-DES-ECHANGES-CULTURELS-ENTRE-LA-CHINE-ET-LAFRIQUE_CAS-DU-CAMEROUN-JIA11056076.pdf<\/p><p style=\"padding-left:10px;\"><a class=\"s_pdf_download_link\" href=\"https:\/\/ijamact.com\/wp-content\/uploads\/2022\/03\/FILMS-DE-KUNGFU-COMME-CATALYSEUR-DES-ECHANGES-CULTURELS-ENTRE-LA-CHINE-ET-LAFRIQUE_CAS-DU-CAMEROUN-JIA11056076.pdf\" download><button style=\"margin-bottom:10px;background-color:;\" class=\"ppv_download_bttn\">Download File<\/button><\/a><\/p>            <div class=\"ppv_wrapper ppv_container\" style=\"position: relative;width:100%; height:600px;\">\n                <div class=\"ppv-loading\">PDF Loading&#8230;<\/div>\n                <iframe id=\"s_pdf_frame\" src=\"\/\/docs.google.com\/gview?embedded=true&#038;url=https:\/\/ijamact.com\/wp-content\/uploads\/2022\/03\/FILMS-DE-KUNGFU-COMME-CATALYSEUR-DES-ECHANGES-CULTURELS-ENTRE-LA-CHINE-ET-LAFRIQUE_CAS-DU-CAMEROUN-JIA11056076.pdf\" style=\"float:left; padding:10px;width:100%; height:600px;\" frameborder=\"0\"><\/iframe>\n                            <\/div>\n            \n            <\/span><i><span lang=\"fr\" style=\"font-size: 12.0pt; font-family: 'Calisto MT',serif; mso-bidi-font-weight: bold;\"><br><\/span><\/i><\/span><\/p>\n<p><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>L&rsquo;article sugg\u00e8re le concept de \u00ab films de kungfu sino-africains \u00bb pour la coop\u00e9ration cin\u00e9matographique sino-africaine. A savoir, adapter les films de Kungfu dans le contexte culturel sino-africain en associant certains styles d&rsquo;arts martiaux africains, et ainsi proposer un complexe nouveau de films d&rsquo;actions sino-africains qui b\u00e9n\u00e9ficiera de l\u2019avance technologique chinoise pour se positionner au devant du cin\u00e9ma mondial &#8230;.<\/p>\n","protected":false},"author":1,"featured_media":2770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,139],"tags":[154,152,151,153],"class_list":["post-2769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-accademic-paper","category-fr","tag-cameroun","tag-echanges-culturels-chine-afrique","tag-films-de-kungfu","tag-films-de-kungfu-sino-africains"],"_links":{"self":[{"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/posts\/2769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/comments?post=2769"}],"version-history":[{"count":10,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/posts\/2769\/revisions"}],"predecessor-version":[{"id":2781,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/posts\/2769\/revisions\/2781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/media\/2770"}],"wp:attachment":[{"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/media?parent=2769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/categories?post=2769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ijamact.com\/index.php\/wp-json\/wp\/v2\/tags?post=2769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}